明清鼎革之际，处于南北交通枢纽的扬州城先后经历了清军南下与南明崩溃、反清复明运动等历史事件。此时，扬州的文人们通过平山堂的诗歌创作，抒发了由战争而引发的家国与个人之思。相较于宋、元易代以及1673年以后的平山堂诗歌，明末清初时代，诗人们思索的内容更为深入，对战争的本质、缘由，以及历史发展的规律都进行了探讨。面对现实家园和精神家园的双重失据，他们从不同角度为自我寻求心灵慰藉。可以说，明清易代之时，扬州文人以平山堂为主题的创作，在思想内容方面进一步深化，淡化了平山堂作为文学景观的娱乐性，增强了其现实性与严肃性。

During the Ming-Qing transition,Yangzhou,located at a key transportation hub between the north and south,experienced historical events such as the Qing army's southward advance,the collapse of the Southern Ming dynasty,and the anti-Qing movements aimed at restoring the Ming dynasty. During this period,literati in Yangzhou expressed their reflections on the nation,their families,and themselves-reflections triggered by the war-through poetry centered on Pingshan Hall. Compared to Pingshan Hall-themed poetry from the Song-Yuan transition and that composed after 1673,poets of the late Ming and early Qing dynasties engaged in deeper reflection,exploring the essence,causes,and historical development of war. Faced with the loss of both their physical and spiritual homes,they sought spiritual comfort from different perspectives. It can be argued that during the Ming-Qing transition,the works of Yangzhou literati focusing on Pingshan Hall demonstrated a greater depth of ideological content,downplayed the site's entertainment value as a literary landscape,and enhanced its realism and seriousness.